Showing posts with label radio. Show all posts
Showing posts with label radio. Show all posts

Thursday, February 27, 2014

Radio Dramas and Audiobooks, Part 2 - 'Cabin Pressure'

Last post, I talked about several of the radio dramas and audiobooks that I listen to. Today’s post is about my favorite radio show - a British radio sitcom called “Cabin Pressure.”

This past Thanksgiving break, I introduced my riders for the trip to my favorite radio sitcom, “Cabin Pressure.” (Thankfully, they liked it. We only listened to it for about 11 hours...)

“Cabin Pressure” was written by John Finnemore and relates the struggles of a small charter airline trying to stay afloat. However, MJN Air’s owner Carolyn Knapp-Shappey (Stephanie Cole) will undoubtedly assure you that she does not run an airline, she runs an airdot. (In order to have an airline, you must have more than one plane. You cannot put one plane in a line. Since she only owns one plane, she has an airdot.)

Carolyn has a small crew with such clashing personalities that you wonder how they possibly get along. But somehow it all works.

Her captain, Martin Crieff (Benedict Cumberbatch), is nervous and meek, with his most desperate wish being that people will finally realize that he actually is the captain of the aircraft.

But most people always assume that the first officer, Douglas Richardson (Roger Allam), is the captain, mostly because Douglas is a self-assured, smooth-talking, sarcastic ex-pilot. Douglas’ favorite pastime is to drive Martin up the wall with ridiculous games or snarky comments (and is there really a better time to annoy someone that much than when stuck in the cockpit of an airplane with them?).

And finally, every airplane needs a steward, and Carolyn’s son, Arthur, fills that role. Arthur is the most simple-minded of the crew, but that combined with his enthusiasm for his job just makes him very endearing.

The characters are so well-written that the audience gets drawn into the story and truly cares about what happens. Will MJN survive all their ups and downs? Has someone finally done something stupid enough to lose their customers? Will the four crew members be able to eat 400 quiches? How will they get a piano to Ottery St. Mary from Fitton when everything comes crashing down around them? How long can a cat survive in an unheated cargo hold at 34,000 feet? How many Hitchcock references can Douglas fit in a cabin address?

Finnemore’s comedic genius comes through his scripts and through his performance as Arthur. This shows highlights many different tones of humor – the sarcastic, the dry, the ignorant and the truly hilarious, just to name a few. All of the episodes are high-quality productions. Finnemore’s brilliance and style have never wavered throughout the existing 25 episodes, and I expect the series finale will be as strong an episode as the others. Finnemore’s brilliance stretches to the episode names. So far, the show has gone from “Abu Dhabi” to “Yverdon-les-Bains,” with the final episode titled “Zurich.”Yes, Finnemore created a 26-episode long sitcom with titles running in (mostly) alphabetical order. 

Unfortunately, all good things must come to an end. The final episode of “Cabin Pressure” was recorded on Feb. 23 to be aired sometime this year (and it can’t come soon enough for me!).

Wednesday, February 26, 2014

Radio Dramas and Audiobooks, Part 1

I love reading and good stories, but I don’t always have the time or ability to read a physical book (like when driving. Holding a book really wouldn’t go well). So, what do I do? Enter radio dramas and audiobooks.

I started listening to radio dramas when I was little (“Adventures in Odyssey,” anyone?). Then, on the most magical of nights, my mom came home from the homeschool convention and gave me my first set of audiobooks. Technically these are classified as radio theatre, but they’re based off of one of my favorites book series, so I've always thought of them as audiobooks.

Anyways, you might think there’s a limit to how many times a little girl can listen to the same cassettes of “Adventures in Odyssey,” but there’s really not. It was (and still is) the same way.

“Ok, I get it,” you say. “You love radio dramas and audiobooks. But why should I care?”

Radio dramas and audiobooks allow you to immerse yourself in another world while still being able to do things (such as driving or cleaning your room. I know. These examples are totally similar). But that is their beauty. They allow all the adventures of reading without holding a physical book and actually reading. And they’re just plain fun.

My family listens to radio dramas every Sunday night after Awana. If we pack everything up quickly enough, we can listen to all of “Dragnet,” then part of “Gunsmoke” before stopping for dinner. I’m not entirely sure what airs after that because the programming shifts around and I’m normally at least partially asleep for the rest of the trip.

For the Christmas break drive of my sophomore year, my dad came and picked me up, and we listened to Canadian radio the whole way home (Yes, Canadian radio. No, I don’t live anywhere near Canada). During that drive, I discovered a “new” radio drama – “I Was A Communist for the FBI.” The title really says it all. It’s about a guy who was a Communist for the FBI (Fascinating, right?).

At school, I still listen to my audiobooks all the time. There’s really only two series I listen to at the moment, but they’re each seven books long. My mom gave me Focus on the Family’s Radio Theatre’s “The Chronicles of Narnia” when I was little, and my brother-in-law gave me all the Harry Potter audiobooks last year.

So far this semester, I’ve listened to all the Harry Potter audiobooks and am currently working my way through “Narnia” again.

My Harry Potter audiobooks were read by Jim Dale, an English actor/voice artist/singer/songwriter. He just reads the books, but he created a specific voice for every character, plus his natural voice as the narrator. He actually holds a Guinness World Record for creating and recording 146 different character voices for one audiobook, “Harry Potter and the Deathly Hallows.”

Dale’s smooth voice draws you into the story, and his characters’ voices are spot on. It is extremely easy to tell all his characters apart, so I don’t have to be paying super close attention to keep up with the storyline.

“The Chronicles of Narnia” has always been one of my favorite book series. I read them when I was young (but only “The Horse and His Boy” when I was little, because I was scared of the others) and still love the stories (though I do read all of them now). Focus on the Family’s adaptation of the stories was excellently done. The radio dramas cover the entire plot of the book, keeping entire blocks of dialogue exactly as written in the book, while still condensing them.

Focus on the Family always has wonderful voice actors, and these dramas are no exception. The actors connected with their characters and, with the emotion in their voices, it’s easy to visualize the scenes.

One of my favorite parts of the dramas isn’t part of the books themselves – it’s the intros and closings by Douglas Gresham, C.S. Lewis’s stepson. Gresham shares stories from his childhood and experiences with first meeting Lewis then of the other times they spent together. These anecdotes richen the experience of listening to the dramas by providing some backstory.

I still have a ways to go before I finish the series (I’m only on “The Horse and His Boy”), but that’s what long car rides home for break are for!

Stay tuned for the next installment of “Radio Dramas and Audiobooks.”